Tuesday, December 6, 2011

'Laugh-In' comic actor Alan Sues dies at 85

(AP) ? Alan Sues, who brought his flamboyant and over-the-top comic persona to the hit television show "Rowan and Martin's Laugh-In" in the 1960s and 1970s, has died, a close friend said Sunday night.

Sues died of cardiac arrest on Thursday at his home in West Hollywood, Michael Gregg Michaud, a friend since 1975, told The Associated Press.

"He was sitting in a recliner watching TV with his dachshund Doris who he loved in his lap," Michaud said.

Sues had various health problems in the last several years, but the death came as a shock to friends, Michaud said. He was 85.

A native Californian who moved to New York in 1952, Sues began his career as a serious actor and in 1953 appeared in director Elia Kazan's "Tea and Sympathy" on Broadway.

But he would be remembered for his wild comic characters.

They included "Big Al," an effeminate sportscaster, and "Uncle Al the Kiddies Pal," a hung-over children's show host, on "Laugh-In," the TV phenomenon that both reflected and mocked the era's counterculture and made stars of Goldie Hawn, Lily Tomlin and many others.

Sues also donned tights as the commercial spokesman for Peter Pan peanut butter, and appeared in the popular 1964 "Twilight Zone" episode "The Masks."

Fellow cast members and crew from "Laugh-In" remembered him as even more entertaining behind the scenes.

"Alan Sues was one of those guys even funnier in person than on camera," Ruth Buzzi, a co-star who appeared in many skits with Sues, said on her Twitter account. "Across a dinner table, over the phone ... hysterical. We'll miss him."

Executive producer George Schlatter, who would eventually bring Sues to "Laugh-In" after seeing him alongside future co-star Jo Anne Worley in the Off-Broadway comedy "The Mad Show," said Sues was "a free spirit," an "outrageous human being" and "a love child."

"He was a delight; he was an upper," Schlatter told the Los Angeles Times, which first reported the death. "He walked on the stage and everybody just felt happy."

Sues would always be best known for "Laugh-In," which he left in 1972 before its final season.

But Michaud said the Peter Pan spots brought Sues nearly as much recognition in later years.

And he said the "Twilight Zone" episode brought him appearances at sci-fi and autograph conventions for decades.

"Fans of 'The Twilight Zone' are cuckoo," Michaud said.

Michaud said that while Sues was always cast as the stereotypically gay character, he believed he needed to hide his own gay identity during his years on television.

"He felt like he couldn't publicly come out," Michaud said. "He felt like people wouldn't accept him."

Sues was grateful for "Laugh-In," but wasn't happy he was typecast in his comic persona as he sought to return to more serious acting.

He got one chance that he cherished in 1975, the serious role of Moriarty with the Royal Shakespeare Company in "Sherlock Holmes" on Broadway.

He stayed with the show until it closed the following year, then went out to perform it with the touring company.

In later years he would make many more theater appearances, do voiceover work for television, and appear in guest spots on TV series like "Punky Brewster" and "Sabrina the Teenage Witch."

Sues is survived by a sister-in-law, two nieces and a nephew.

There were no immediate plans for a memorial.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/4e67281c3f754d0696fbfdee0f3f1469/Article_2011-12-05-Obit-Alan%20Sues/id-03104c04ba2d4aae8b62b06c51cd6c8e

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Monday, December 5, 2011

An American Indian Physician Discusses Cancer in Indian Country ...

0 An American Indian Physician Discusses Cancer in Indian Country and the Spirit of Eagles Program

Dr. Judith Kaur, an American Indian physician and Medical Director of Native American Programs at the Mayo Clinic Comprehensive Cancer Center, speaks about visiting reservations to help American Indian and Alaskan Native communities discuss cancer and treatment.

Meanwhile, she highlights her work with the Mayo Clinic and the Spirit of Eagles, an American Indian/Alaska Native leadership initiative on cancer. ?I think the emphasis on health and wellness, not disease and dying, is what is unique about our philosophy. It?s finding that balance, that spiritual core. That?s what the Spirit of Eagles symbolism means?there?s strength, spirituality, health, healing, and that?s what our communities need,? Dr. Kaur says.

Source: http://indiancountrytodaymedianetwork.com/2011/12/03/an-american-indian-physician-discusses-cancer-in-indian-country-and-the-spirit-of-eagles-program-65567

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93% Hugo

All Critics (153) | Top Critics (38) | Fresh (143) | Rotten (10)

Scorsese transforms this innocent tale into an ardent love letter to the cinema and a moving plea for film preservation.

'Hugo': Scorsese's humbling hommage to his favorite art

Thematic potency and cinematic virtuosity -- the production was designed by Dante Ferretti and photographed by Robert Richardson -- can't conceal a deadly inertness at the film's core.

For all the wizardry on display, Hugo often feels like a film about magic instead of a magical film...

I have seen the future of 3-D moviemaking, and it belongs to Martin Scorsese, unlikely as that may sound.

It's a fairy tale for mature viewers, but the airy exterior hides emotional depth.

Director Martin Scorsese brings us an enchanting Christmas gift ... a marvelously inventive and inspiring 3-D film that has a heartfelt holiday message.

'Hugo' was an amazing cinematic experience for me, even though I'm not a 3-D fan.

Hugo is a master filmmaker's gift to children. It teaches, in an age-appropriate way, why movies are important and why it's essential that we take care of them. One of Scorsese's best!

Opulent, dazzling, enchanting screen adaptation of a beloved children's book. It's family-friendly fun.

( ... ) goose down floating around the set takes Scorsese's hard-hitting career into soft new dimensions

Leave it to Martin Scorsese to use 3-D not as a gimmick, but as a means of drawing us into a unique and magical environment...

The lesson to be learned is that [Scorsese] should stick to what he knows best, for Hugo won't appeal to anyone, least of all kids.

The on-screen craftsmanship is impeccable, from Robert Richardson's stunning cinematography to Dante Ferretti's production design and Sandy Powell's costumes.

Hugo is cinema shining a light reverently up its own fundament.

A dreamy triumph for Scorsese

The film demands patience from children and adults alike -- in fact, it's simply too slow for young viewers -- but like great literature, if you immerse yourself in it, the rewards are plentiful.

As a crazy mix of Cinema Paradiso, Cronos and David Copperfield it's unusually stimulating family fare.

The man responsible for Raging Bull, Taxi Driver and GoodFellas has tackled his first family film. Not only that: it's in 3-D, and a must-see for anyone who loves cinema.

The heart-shaped story may be the key that sets Hugo in motion, but this rediscovery of the cin?ma de papa is most memorable for its technical wizardry and astonishing visual trickery.

Hugo's best moments are those that aren't actually Hugo.

It is glorious to be thrown and blown about in this make-believe metropolis. The digitally enhanced shapes and colours suggest Jeunet and Caro reworked by a polychromatic Piranesi.

As soon as the lights went up in the theater, I told my viewing companions that I honestly felt that seeing the film was a privilege.

[T]here's certainly much to admire here... [but] Hugo feels like two very different films inelegantly spliced together...

It's possible to see the attraction, but when people break into applause over the credits, some are going to be left cold.

More Critic Reviews

Source: http://www.rottentomatoes.com/m/hugo/

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Sunday, December 4, 2011

Jay-Z provides the blueprint for college course (AP)

WASHINGTON ? Michael Eric Dyson parses Jay-Z's lyrics as if analyzing fine literature. The rapper's riffs on luxury cars and tailored clothes and boasts of being the "Mike Jordan of recording" may make for catchy rhymes, but to Dyson, they also reflect incisive social commentary.

Dyson, a professor, author, radio host and television personality, has offered at Georgetown University this semester a popular ? if unusual ? class dedicated to Jay-Z and his career. The course, "Sociology of Hip Hop: Jay-Z," may seem an unlikely offering at a Jesuit, majority-white school that counts former President Bill Clinton among its alumni. But Dyson insists that his class confronts topics present in any sociology course: racial and gender identity, sexuality, capitalism and economic inequality.

"It just happens to have an interesting object of engagement in Jay-Z ? and what better way to meet people where they are?" Dyson said. "It's like Jesus talking to the woman at the well. You ask for a drink of water, then you get into some theological discussions."

Classes centered on pop culture superstars like Bruce Springsteen have sprouted on college campuses in recent years; Dyson himself says he's previously taught classes on Tupac Shakur and Marvin Gaye at the University of Pennsylvania. He says Jay-Z, whose real name is Shawn Carter, is a worthy subject because of his diversity of business interests ? a clothing entrepreneur, he's also a part owner of the NBA's New Jersey Nets (soon to move to his native New York borough of Brooklyn) ? as well as his immense cross-cultural appeal and "lyrical prowess" in articulating contemporary black culture and his place in it.

"I think he's an icon of American excellence," Dyson said.

Though hardly as rigorous as organic chemistry, the course does have midterm and final examinations and required readings, including from Jay-Z's book, "Decoded." The 75-minute classes ? the final one is Wednesday ? focus more on African-American culture and business than on the particulars of the rapper's biography, which include millions in record sales, Grammy Awards, a marriage to Beyonce with a baby on the way and tours with Kanye West and Eminem.

One recent lecture centered on how popular black artists reflect their culture and race to the public at large, with Dyson name-dropping LL Cool J, Diahann Carroll and Bill Cosby. The professor and one student went back and forth on whether the rapper's lyrical depictions of his extravagant lifestyle ? "Used to rock a throwback, balling on the corner/Now I rock a Teller suit, looking like an owner" is one of many examples ? amounted to bragging and rubbing his taste for fine living in the faces of his listeners.

The student took the position that Jay-Z appears overly boastful, but Dyson countered that the rapper, who grew up in a Brooklyn housing project but has since become a multimillionaire, has never lost his ability to relate to the struggles of everyday people and has continued giving voice to their concerns. Though Jay-Z raps about Saint-Tropez and expensive cigars, he also talks about being nurtured by Brooklyn. And in one song, "99 Problems," he attacks racial profiling with a stark depiction of a racially motivated traffic stop: "Son, do you know why I'm stopping you for?" the officer asks. Jay-Z replies: "`Cause I'm young and I'm black and my hat's real low."

The chairman of Georgetown's sociology department, Timothy Wickham-Crowley, says he supports Dyson's course for trying to show how Jay-Z's music fits into American society, and Steve Stoute, an author and marketing executive who has done business with Jay-Z and has spoken to the class, said the course has practical value for students interested in business.

But others have concerns.

Kevin Powell, who writes about hip-hop and has run unsuccessfully for Congress in Brooklyn, said any discussion of Jay-Z should account for what Powell says are the rapper's derogatory lyrics toward women and his expressions of excessive materialism. Kris Marsh, an assistant sociology professor at the University of Maryland who specializes in the black middle class, said that while she appreciated Jay-Z's cultural significance, she was wary of structuring an entire course around him and using his narrative alone to reflect black America. Though hip-hop artists can focus a lens on urban life, she said, "sometimes these artists use poetic license" and blend fact and fiction to an audience that is often suburban and white.

"We're not sure if it's fiction or real life. It can be almost indistinguishable sometimes in hip-hop," she said.

In an opinion piece published in the student newspaper, The Hoya, junior Stephen Wu dismissed as "poppycock" Dyson's belief that Jay-Z could be compared to Homer or Shakespeare.

"It speaks volumes that we engage in the beat of Carter's pseudo-music while we scrounge to find serious academic offerings on Beethoven and Liszt. We dissect the lyrics of "Big Pimpin'," but we don't read Spenser or Sophocles closely," Wu wrote.

Danielle Bailey, a senior international business and marketing major who is taking the class, said she was a Jay-Z fan before enrolling but now has greater appreciation for his business acumen.

"I know a lot of people are upset, but I think the point of college is to think outside the box. I rarely have classes that allow me to look at things differently," she said, adding, "It's not always about Mozart and Homer."

Dyson makes no apologies, saying the course is a conduit for studying the "major themes of American life" and that hip-hop artists at their best deserve to be classified alongside literary luminaries.

Jay-Z was on tour and not available for an interview, his representative said. But Dyson, who considers himself a friend of the rapper, says Jay-Z has told him he appreciates the course. And Bailey said she heard Jay-Z give a "shout-out" to the class at a recent concert of his she attended.

"You're doing the class there," Dyson says Jay-Z told him. "I'm doing kind of the master class while I'm in concert."

___

Online:

http://www.georgetown.edu/

http:// www.michaelericdyson.com

____

Eric Tucker can be reached at http://twitter.com/etuckerAP

Source: http://us.rd.yahoo.com/dailynews/rss/celebrity/*http%3A//news.yahoo.com/s/ap/20111202/ap_en_ce/us_jay_z_at_georgetown

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Saturday, December 3, 2011

E-mail Reveals Your Closest Friends

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Source: http://www.labspaces.net/115615/E_mail_Reveals_Your_Closest_Friends

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Kristin Cavallari, Jay Cutler Engaged?AGAIN: Celebrity Couple of the Week

Our Celebrity Couple of the Week are none other than Kristin Cavallari and Jay Cutler. They are engaged again! The former ‘Dancing With the Stars’ contestant and her Chicago Bears QB boyfriend will be saying their ‘I do’s'! What a year it’s been for these two! Kristin and Jay originally got engaged in April while on a vacay in Mexico after they began dating back in the Fall of 2010. They were planning a Spring 2012 wedding. Fast forward to July, just days after their engagement party, when Cutler reportedly dumped the former Laguna Beach star. Quite abruptly, I might add. To add more salt to the wound, the week prior, Kristin did a photoshoot for Life & Style magazine where she was snapped trying on an array of wedding dresses. Days after news of their split became known, the issue of Life & Style came out. Awk-ward! While it was not known what the reason was behind their split, several media outlets in the past have described Cutler as ‘controlling’ in his relationship with Cavallari. Nonetheless, Kristin was left devastated. Who can blame her, right? So as the 24-year-old found herself single again, she seemingly moved on and became [...]

Source: http://feedproxy.google.com/~r/RightCelebrity/~3/vL-ZrU_ajyk/

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Friday, December 2, 2011

Central banks act as euro zone crisis rages (Reuters)

BRUSSELS/LONDON (Reuters) ? The world's major central banks acted jointly on Wednesday to provide cheaper dollar liquidity to starved European banks facing a credit crunch as the euro zone's sovereign debt crisis threatened to bring financial disaster.

The surprise emergency move by the U.S. Federal Reserve, the European Central Bank, the Bank of Japan and the central banks of Britain, Canada and Switzerland recalled coordinated action to steady global markets in the 2008 financial crisis.

The euro and European shares surged on the news, which came after euro zone finance ministers agreed to ramp up the firepower of their bailout fund but acknowledged they may have to turn to the International Monetary Fund for more help.

In a related move, Italy's central bank started emergency cash tenders for banks which have been squeezed particularly hard in recent weeks as Rome's borrowing costs have soared towards 8 percent, a level seen as unaffordable in the long term.

"We are now entering the critical period of 10 days to complete and conclude the crisis response of the European Union," Economic and Monetary Affairs Commissioner Olli Rehn said as EU finance ministers met.

Two years into Europe's debt crisis, investors are fleeing the euro zone bond market, European banks are dumping government debt, south European banks are bleeding deposits and a recession looms, fuelling doubts about the survival of the single currency.

Euro zone leaders have agreed belatedly on one half-measure after another but have failed to restore confidence and now face a crunch moment at a December 9 Brussels summit seen by some analysts as a make-or-break moment for the euro.

Finance ministers agreed on Tuesday night on detailed plans to leverage the European Financial Stability Mechanism (EFSF), but could not say by how much because of rapidly worsening market conditions, prompting them to look to the IMF.

"We are now looking at a true financial crisis -- that is a broad-based disruption in financial markets," Christian Noyer, France's central bank governor and a governing council member of the European Central Bank, told a conference in Singapore.

Italian and Spanish bond yields resumed their inexorable climb towards unsustainable levels on Wednesday, as markets assessed the rescue fund boost as inadequate.

"It must also be remembered that the EFSF is already funding at very wide (borrowing) levels over Germany, struggled in its last auction to raise the required funds and would have its rating put under severe pressure by any rating downgrade of France," Rabobank strategists said in a note.

"This must call into question any plans related to the EFSF. It is yesterday's solution and the market has simply moved on."

IMF TO MATCH?

The 17-nation Eurogroup adopted detailed plans to insure the first 20-30 percent of new bond issues for countries having funding difficulties and to create co-investment funds to attract foreign investors to buy euro zone government bonds.

Both schemes would be operational by January with about 250 billion euros from the euro zone's EFSF bailout fund available to leverage after funding a second rescue program for Greece, Eurogroup chairman Jean-Claude Juncker said.

The aim was for the IMF to match and support the new firepower of the EFSF, Juncker told a news conference.

But with China and other major sovereign funds cautious about investing more in euro zone debt, EFSF chief Klaus Regling said he did not expect investors to commit major amounts to the leveraging options in the next days or weeks, and he could not put a figure on the final size of the leveraged fund.

"It is really not possible to give one number for leveraging because it is a process. We will not give out a hundred billion next month, we will need money as we go along," Regling said.

Most analysts agree that only more radical measures such as massive intervention by the ECB to buy government bonds directly or indirectly can staunch the crisis.

The prospects of drawing the IMF more deeply into supporting the euro zone are uncertain. Several big economies are skeptical of European calls for more resources for the global lender.

The United States, Japan and other Asian states are hesitant to chip in unless Europe commits to first use its own resources to fix the problem and peripheral euro zone states map out more concrete steps on fiscal and economic reforms.

"Nobody wants to spend money on something they doubt would work," a G20 official said.

"That goes not only for Europe but for any other country outside Europe. The threshold for seeking IMF help is quite high. Those seeking help need to be willing to give up some of their jurisdiction on fiscal policy and willing to undergo painful reform. Mere pledges and speeches won't do."

MONTI DENIES IMF BID

New Italian Prime Minister Mario Monti said he had received a very positive reaction from the euro zone ministers to his fiscal plans, although he was told to take extra deficit cutting measures beyond an austerity plan already adopted to meet its balanced budget promise in 2013.

He said he had met the head of the International Monetary Fund's European department on Wednesday but Italy had not considered taking help from the IMF.

Reuters reported on Tuesday that Italian and IMF officials have held preliminary discussions on some form of financial support for Rome, although no decision has been taken, according to sources familiar with the talks.

Italian bond yields are now above the levels at which Greece, Ireland and Portugal were forced to apply for EU/IMF bailouts, and Rome has a wall of issuance due from late January to roll over maturing debt.

The Eurogroup ministers agreed to release their portion of an 8 billion euro aid payment to Greece, the sixth installment of 110 billion euros of EU/IMF loans agreed last year and necessary to help Athens stave off the immediate threat of default.

Juncker said the money would be released by mid-December, once the IMF signs off on its portion early next month.

G20 leaders promised this month to boost the global lender's warchest. However, another G20 source said policymakers had made no progress since then in efforts to boost IMF resources, which at current levels may not be sufficient to overcome the crisis.

EU sources said one option being explored is for euro system central banks to lend to the IMF so it can in turn lend to Italy and Spain while applying IMF borrowing conditions.

With Germany opposed to the idea of the ECB providing liquidity to the EFSF or acting as a lender of last resort, the euro zone needs a way of calming markets and fast.

The ECB shows no sign yet of responding to widespread calls to massively increase its bond-buying although EU officials said it may have to shift, even if the EFSF gained IMF help.

A Reuters poll of economists showed a 40 percent chance of the ECB stepping up purchases with freshly printed money within six months, something it has opposed so far.

The poll forecast a 60 percent chance of an ECB rate cut to 1.0 percent next week and a big majority of economists said they expect the central bank to announce new long-term liquidity tenders to help keep banks afloat at its next meeting on Dec 8.

EU powerhouse Germany has pinned its efforts on a drive for closer fiscal integration among euro zone members with coercive powers to veto euro zone members' budgets that breach EU rules.

Chancellor Angela Merkel told lawmakers she would not make a deal at a December 9 European Union summit to drop resistance to joint euro zone bonds in exchange for progress on strengthening fiscal rules, MPs quoted her as saying.

(Additional reporting by Marius Zaharia in London, Erik Kirschbaum in Berlin, Robin Emmott and John O'Donnell in Brussels, Saeed Azhar and Kevin Lim in Singapore; Writing by Paul Taylor/Mike Peacock; Editing by Janet McBride)

Source: http://us.rd.yahoo.com/dailynews/rss/eurobiz/*http%3A//news.yahoo.com/s/nm/20111130/bs_nm/us_eurozone

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